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・ Chora District
・ Chora Koilpur
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・ Chora Naga of Anuradhapura
・ Chorab
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Choral (Stockhausen)
・ Choral Arts
・ Choral Arts (disambiguation)
・ Choral Arts Society of Philadelphia
・ Choral Arts Society of Washington
・ Choral concerto
・ Choral Fantasy (Beethoven)
・ Choral music of Washington, D.C.
・ Choral poetry
・ Choral Public Domain Library
・ Choral scholar
・ Choral symphony
・ Choral symphony (disambiguation)
・ Choral Synagogue (Smolensk)
・ Choral Synagogue, Vilnius


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Choral (Stockhausen) : ウィキペディア英語版
Choral (Stockhausen)
Choral (Chorale) is a short a cappella choral composition by Karlheinz Stockhausen, who wrote both the words and music in 1950. It was later given the number 1/9 in the composer's catalogue of works and lasts about four minutes in performance. The score is dedicated to the composer's first wife, Doris Stockhausen, née Andreae.
==History==
During his third year of music-education studies at the Cologne Conservatory, free stylistic exercises in composition were part of the programme of training. His teacher was Professor Hermann Schroeder. Along with fugues, chorale preludes, sonatas, and song arrangements in various traditional styles, and a scherzo in the style of Paul Hindemith, Stockhausen wrote a number of choral pieces for the school choir in which he himself sang: The "Madrigalchor der Kölner Musikhochschule" was conducted by Hermann Schroeder and the first performance took place in a recording for Cologne Conservatory, Cologne (WDR) in 1950 . Amongst them was the Choral, with a text written by Stockhausen beginning "Wer uns trug mit Schmerzen in dies Leben" (Who has borne us with pain in this life). Stockhausen, who had not considered himself a composer up to this point, decided shortly after finishing this and the ''Chöre für Doris'' to attempt something a little more ambitious for the first time, and wrote the ''Drei Lieder'' for alto voice and chamber orchestra (; ; ).
All of these student works and a number of later ones remained unpublished until 1971, when Stockhausen rediscovered his early work ''Formel'' for chamber orchestra, and noticed affinities with his then-just-completed ''Mantra'' for two pianos and electronics. When Maurice Fleuret asked for a new piece to be performed at the Journées de Musique Contemporaine, Stockhausen offered ''Formel'', and filled out the programme with a selection of other early compositions, including the ''Drei Lieder'' and the Sonatine for violin and piano. On this same programme, on 21 October 1971 at the Théâtre de Ville in Paris, Marcel Couraud's chamber choir sang the ''Chöre für Doris'' for the first time, together with the contemporaneous Choral (; ).

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